Wines:

More Search Results:

A New Story in Chile’s Forgotten Winelands Part 5: Los Reconquistadores

  “You need to find the proper mother for your wines… and a vineyard’s geology is the number one consideration,” Pedro said, as we drove towards his vineyards in Guarilihue.  What was true 450 years ago when the Spanish Conquistadors settled in Concepcion is still true today.  They recognized that Itata was a perfect mother for their vineyards because of the soil and climate, so they quickly established their roots in this place. “I chose this place because after working so many years with my clients, I knew exactly the places I hate. Back on one of Chile’s many dirt roads, we followed Juan Carlos Torres, another vineyard owner. I asked Pedro why he chose the Itata to establish his family’s label, Pedro Parra y Familia. Why didn’t he go further south into even cooler coastal climates closer to (but not in) Patagonia, or higher elevation sites in the Andes? After a moment of contemplation, he said, “I chose this place because after working so many years with my clients, I knew exactly the places I hate." “I have a map in my head of places where I know there is no solution,” he added. “I know that even if we bring in a super skilled winemaker, a place can be too strong to make a balanced wine. For example, granitic soils can be found all over the coast of Chile and up north, even in Casablanca. (A link to that part of the story can be found here). But as you know, the natural ripeness of Casablanca can be 16% alcohol, or more. I don’t want to add water or acid to my wines; that’s not what I like to drink… That is the first point. “The second point was that I knew I needed green land, which means both rain and clouds. It’s not about good year-round temperature; it’s about having cloudy weather in the beginning of the growing season, and in the end [toward harvest]. It’s only in the middle when I need the sun.” I suspected his third point, and I was right… He said, “We don’t have limestone in Chile. It’s too bad because I love limestone. So, if it’s not going to be limestone, it’s going to be granite, which I have the best in the world, and I love it. So, once I found the granite, I had to find more cloudy than sunny weather.” "I have dug thousands of pits in my life and I know very well the difference between irrigated roots and dry-farmed roots." - Pedro Parra The last point Pedro made was similar to one of the staples of French wine law: no irrigation. “I have dug thousands of pits in my life and I know very well the difference between irrigated roots and dry-farmed roots. If my clients want to irrigate their vines, that’s fine, but not my family’s wines… ever.” When we were tasting at Pedro’s winery, both of the other importers in our group, Dirk and Jorge, started to prep me for meeting another talented Chilean winemaker, Leonardo Erazo, a good friend of Pedro’s who had worked with him in Argentina and on many other projects. They insisted that I should consider tasting Leo’s wines and import those as well. As we wound up a very rocky dirt road, we took a final turn and eventually stopped on top of a hill. Down a little vineyard path a few people emerged from a makeshift pergola constructed out of small trees. Gusts of wind blew through the open sides, and the wooden roof was covered with greenery. It kept the sun from beating directly down onto the table where Leonardo and his Belgian girlfriend, Zjos were waiting. They joined us on the walk further up the road, through the intense wind and into the last vineyard of our tour. As always in Pedro’s vineyards, we came upon another soil pit. Up to this point, we had spent a lot of time talking to Pedro almost exclusively about granite with a little on limestone sprinkled into the conversation. I learned the day before that he wasn’t a big fan of volcanic soils, so I didn’t bring it up too much. I like wines from volcanic soils. But it’s necessary to have the right grape varietals planted to express their magic. I like wines from volcanic soils. But it’s necessary to have the right grape varietals planted to express their magic. Much of the time they mark the wines as distinctly as any soil type, especially from many of Italy’s wine regions, like Sicily or Campania. Volcanic soil is found all over the world, and the dominant “international grape varietals” like Cabernet Sauvignon, Chardonnay, Pinot Noir, Syrah and Merlot in New World regions are often planted on them. More often than not, grape varietals are chosen for commercial reasons, not specifically because they are ideal for a particular type of soil. That’s what makes the wines of Lacryma Cristi, Taurasi, Etna and other southern Italian wines so special: they’ve established extremely suitable grapes on the right soils for centuries or, in many cases, for millennia. Standing over the pit next to Pedro, Leo drew comparisons and articulated the differences between volcanic and granitic soils and their influence on wine. “Basaltic [volcanic] and granitic rocks are igneous [both were once molten, but granite forms underground, while basalt forms above ground after an eruption], but their constitution is very different because of the way they cool. The slower the cooling, the bigger the crystals,” Leo explained. “Granite has bigger crystals, which you can see without a magnifying glass, unlike the tiny crystals in a basaltic rock. “The weathering [a geological term for the breakdown of rocks] is quite different, and the result in the wine is different too. With granite, depending on how much they have weathered over millions of years, there can be a lot, or a tiny amount of clay. The hardest mineral in granite is quartz, and it will be the last mineral to weather, leaving it almost completely intact.” Other minerals such as feldspar and mica will weather sooner. "Wines from here made from volcanic soils are softer, more linear and delicate; granite makes wines that are more wide and round." - Leonardo Erazo Leo continued, “the richness and water holding capacity of weathered granite is totally different than basalt. In the Itata when the basalts weather they become sandy, and the granite becomes more like clay. Wines from here made from volcanic soils are softer, more linear and delicate; granite makes wines that are more wide and round.” Going deeper into the smell and taste of these wines, Leo explained that the mineral sensations are different as well. In the back palate, granite is stronger (similar to metamorphic rock) and gives a rich saline and iodine sensation with a firm impression of iron; it tends to give more structure and tannin to the wine. The Itata’s sandy volcanic soils render more finely structured wines in comparison to granite. The aroma gives the impression of volcanic cinders and sometimes the phosphorus from a match. “The delicately textured tannins of volcanic wines carry the flavor to the very end of the palate," Leo added. Up to that point in my travels through many granite vineyards in Europe, I had never seen any so weathered into clay as in the Itata. Up to that point in my travels through many granite vineyards in Europe, I had never seen any so weathered into clay as in the Itata. Normally, I smuggle rocks back into California to add to my collection. If I had taken a piece back from some of these vineyards, I would have brought back what looked like rocks, but with a little time, they would dry and crumble on the mantle of my fireplace, since they were really just compacted pieces of soil,. Leo explained that there are granitic vineyards in the Itata that have hard, rocky soils, and others that are unusually soft. Granite is made up of a mix of minerals: mostly quartz, mica and feldspar. Depending on the amount of each component in the granite, the soil could be more or less susceptible to weathering. Clay content in the soil plays a big role in a wine. During the winter and spring, rainfall swells the clay, and in the arid summer it shrinks and contracts, potentially tearing roots and stressing the vine. Leo explained that the response of the vine to any kind of stress is to produce phenolic compounds to protect itself and the result can be hard (green) tannins. In the Itata, the result is that granite soils tend to make more tannic wines than sandier volcanic soils. Leo made it a point to say that this may not be true of volcanic soils worldwide, but it is in the Itata. The last segment of this 6-part series, "A New Discovery" will post next week. Find Pedro Parra Wines here To keep up with this story you can sign up to our email list, or check in next week and you will find part 6.

Arribas Wine Company

In the early summer of 2017, after harvests in the southern hemisphere, Ricardo Alves and Frederico Machado visited Bemposta for the first time together. They were on the Portuguese back roads in the Parque Natural das Arribas do Douro, with its wealth of ancient, indigenous and largely forgotten grapevines chaotically perched on the extreme slopes on the Douro river gorge, when they came upon the perfect location for their life project, the place to which they would commit their youth. They set out to rediscover and revitalize an ancient wine culture whose local home winegrowers have just barely kept the faint bloodline of their vinous history from extinction. Meeting of Might and Mind Frederico Machado (pictured above on the right), a native of Braga, one of Portugal’s larger northern cities, was born in 1986. He began his university studies at the Universidade do Minho where he studied Applied Biology from 2004 to 2006. Sidetracked by an interest in Medicine, he spent some years at the Czech Republic’s Charles University, in Plzen (or Pilsen; yes, the birthplace of the pilsner-style beer). In 2010, he was drawn back to finish his Applied Biology degree, which preceded a yearlong stint in Athens, Greece, researching protein models. But the call of the wild and his curiosity in wine began to consume his interests and he returned to Portugal to finish a Master of Enology degree by 2013 at the Universidade de Trás-os-Montes e Alto Douro (UTAD), in Vila Real. Fred did his first harvest in the Douro with Dirk Niepoort in 2014; 2015/2016 with Susana Esteban, in Alentejo; Wine by Joe, in Oregon, 2016; Mitchelton (2017) and Tahbilk (2019), both in Victoria, Australia. He worked the 2019 harvest with Tahbilk to earn more money to support Arribas Wine Company, while Ricardo maintained the spring work back in Portugal.

A. Rafanelli: What Goes Around,…

Everyone in the wine business got their start with a few memorable bottles, and believe it or not, mine were from California, back when I was nineteen and had just moved to Arizona from Nowhereville (Kalispell), Montana. It doesn’t matter where you start, you’ll always have a soft spot for the wines you got to know in those early years. One of those wines happened to be Zinfandel from great producers in California, like Williams Selyem, Ridge and Rafanelli. Back in the mid-90s, Zinfandel was hotter than Pinot Noir, Syrah, and probably only fifth in the fine wine division behind Cabernet, Merlot, Chardonnay and Sauvignon Blanc, with Viognier having a temporary uptick. The trends in California seem to change from one season to the next, probably more frequently than in any wine region in the world. But as a standalone economic global power, California residents consume enough of the state’s wines to keep it booming regardless of what trends come into play. One of my closest friends, psychiatrist Reuben Weinenger, once told me, “when you are surrounded by chaos, you need to stand still.” Wine trends can be chaotic, and there are producers who follow them and those who stay their own course. These producers who work in the eye of the storm make small changes along the way, but instead of executing radical alterations to fit the market, they focus their energies on mastering their craft. This way, they’re able to grow while keeping their identity intact. The Rafanelli’s are one of those rocks from the annals of old-school, traditional California wine. They’ve hardly changed a thing over the years, and every bottle brings me back to the first time I tasted them in 2001, when I started working at Spago Beverly Hills with the late, legendary Master Sommelier, Michael Bonaccorsi. Smack dab in the middle of the age of extraction, Mike remained committed to that old California taste and Rafanelli filled the Zinfandel department perfectly. Zinfandel’s reputation needs a reboot from its association with over-extraction, monstrous alcohol and marmalade fruit, not to mention good ol’ White Zinfandel, a trend that has thankfully come and gone from the fine wine world—in the 90’s even the very best restaurants had it on the list. If you’re going to add Zinfandel to your list then you should double down on your Aussi Shiraz selection too, right? No, not really. (From what I understand there is a reboot is happening Down Under too.) California Zinfandel remains California's unique heritage grape and some of the younger winemakers who’ve gone from one trend to the next are starting to quietly play with it again. (I won’t name names so they can surprise everyone when they’re ready to announce it themselves.) To better know the future we need to be conscious of the past and there is a reason why legendary California producers like Joseph Swan, Burt Williams from Williams Selyem and Tom Dehlinger—to name a few—made Zinfandel from Sonoma County alongside their great classically-styled California Pinot Noirs, long before Cali Pinot went sideways. And of course, we cannot fail to mention the fabled Zinfandel wines from the Paul Draper era at Ridge—some of the most compelling wines I’ve had from California. At The Source, we’ve picked a few fights in our market this last decade. I was literally laughed at by a future Master Sommelier for telling him that dry German Riesling was going to become a hot commodity—at the time we were selling Keller, Schönleber and Clemens Busch. We fought the good fight as we pitted the elegant Nebbiolo based wines from Alto Piemonte against the behemoths of the Langhe’s Barolo and Barbaresco back in 2010 with Tenuta Sella, when Cristiano Garella was in control of the estate and the wines had a short but remarkable run between the 2004 and 2008 vintages. Now there's a gold rush to Northern Piedmont, and dry German Riesling is on every well-rounded wine list. So, here we go again… Rafanelli is clearly a legendary Zinfandel producer, with the distinction of being fourth generation winegrowers in the Dry Creek Valley, and they’ve been making Zinfandel since the 1950s. When we agreed to work together, Shelly Rafanelli (the winemaker) brought me a couple bottles of old Zinfandels (1992 and 1989) her father dug out of his personal stash for me, and they were of the last bottles I drank before I moved to Italy this September. I was instantly transported back to the earlier years of my love affair with wine—the perfect sendoff to the country his ancestors emigrated from four generations ago. This summer I had dinner with Burt Williams, the long since retired wine alchemist of the historic Williams and Selyem winery, and told him that we started working with the Rafanelli family. His face lit up and he said, “That’s great. They were always one of the best.” ______________________________________ We sell the Rafanelli family's wines only to our top restaurants in California, but if you are not in the restaurant business and want the wines you can buy them directly from them at https://www.arafanelliwinery.com/, or go to many of California's top restaurants and enjoy them over dinner. (They are not usually sold to retailers anywhere in the country, except those that buy directly from the mailing list themselves.)